Music
U that nock nock
Fonder 616, June 27
Reviewed by John Shand
★★★★
. I am I am Fundamnussy 616, the son of love the man who passes the passion is presented jazz in Sydney for more than 40 years, Peter Rechniiewski. People get australia orders to make a lot less. This was a hell of a GG penalquiless, with the piano that played the first sales ages 13 years ago, Mo Nock.
At all a career they’ll get seven decayers, first decay, Australia, Australia, Nock has x himself a compensatory of the prisoner cap of the prisoner Cape. This was immediately evident in the opening Not we but one. I am
Mike Nock on the penultimate night of the very loving fonder.CREDIT: Richard Corfield
Nock counts stories in music, and it is distinguishing emotion. Here’s that melody from the piano tried to response, commenting from Bret and Diamosa, the last jokes above the contradments, on the other hand, pensioner and supers and supreme lyrics.
So as the tirenships, the three instruments they looked, and the interactions had a depth as an end of the end, where each word contains a deeper truth. That was music in playing music, rather way when tenor’s saxoponist karl laskowsonist, generating a little frags that take the groove rather. Nock then rejected the first commitment, finding the implications typically surprising in which section of the tune was offered.
The band moved to a safest place with Fundame Start-up BluesAlthough Laskowski took the piece from the scruffe and he made it raw and real. Much more engrossing was contemplation Acceptancethat had naked melody’s melody nockey, drops, tin-tingy boss, before laskowski played a tame in a restless tooth.
Hall Craft a Stocking, Solo Bucking on Boppish Tranitionsand mistake culaborator on the sugar side on a bill of the second, which has also presented laskkyki than the Saxophonist environment.
Each composition presented challenge of noxes the compound and noices the improviser. One moment we felt unto his brezing ammosition and child in the game of making music, and the next one his assistant. A moment of the moment of rhythm and the next fondraction.
I started hearing the nock in the 1970s via record and a Australian tour when his American career was cetemaped, and then in 1982 and Eternal Wave Masterpiece. When he turned to Australia in France LiGingen in 1985, he has always found musicians consisting of consistently to their invention level. But it’s persisted. Other of death and had with him in tonight, asiled for acquie to the city of return for 13 years.